Thursday, 14 December 2017

Fiction adaption - Experimental workshop

Montage Research

5 types of ‘Soviet’ Montage
1. Intellectual montage
2. Tonal montage
3. Metric montage
4. Rhythmic montage
5. Overtonal montage









                                                         


Illusion of movement



Eadweard Muybridge - Muybridge is known for his pioneering work on animal locomotio in 1877 and 1878, which used multiple cameras to capture motion in stop-motion photographs, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography.









Rotoscoping

Rotoscoping is an animation technique used by animators to trace over motion picture footage, frame by frame, when realistic action is required. Originally, photographed live-action movie images were projected onto a glass panel and re-drawn by an animator. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer.

Fiction adaption - pre-production

Mood Board/ Shot ideas


 black and white with coloured componants



Dutch angle



Extreme close up of tear



Shot from inside the fridge



Slow motion of a drink filling up







Wednesday, 13 December 2017

Fiction Adaption - Reflections

Overall i am pleased with my project and how it came out, however there are a few things i think if added or improved would have helped further the tone/meaning. Firstly there are two shots that are less than perfect when you know where you are looking. The first being when the character comes in through the door and "turns on the light". The light switch in fact is non-existent, the light you see come on is actually george holding one of the LED lights and turning it on at the just the right time. The reason for this was i knew i wanted to experiment with black and white however if tht did not look right i would have to do it in colour, but the lights they had in the house were very yellow and did not look aesthetically pleasing. Due to George having to stand there with the lights you can see his legs on the stairs however it is dark so you would not notice unless told.

With the other shot i had to cut it short as the LED light would have come into shot as the camera pulled out of an extreme close up. We had propped it up on the table surface to allow for a cinematic look on the extreme close up however i failed to realise until post production that light had made it into the shot, so the slow pull out is shorter than i expected but i still feel that it captures the same look.

Another thing i would like to improve on is the final shot. As the camera pulls out i would like to fade George out as to reinforce the fact that he is a ghost-like entity and maybe add a meaning that because the main character didn't drive whilst he was drunk, the ghosts job is done for now. So he was posing as a kind of guardian angel.


I have also learnt that if you can afford it, actors are better than friends. Not because their acting won't be as good but because they will be more reliable. This also becomes a key factor in any member of crew/ cast if you present your proposal/ task to them with confidence and talking to them in a professional manor whether they are friends or actors.

Tuesday, 12 December 2017

Fiction Adaption - Breakdown

The piece opens with snow falling and a close up of a snow-covered bush moving slightly in the wind, this is the only part of the entire piece in colour. I did this because at the start of the sonnet it tells the reader that the narrator is the "...winds that blow..." and the "...glints on snow...". This both reflects the structure of the sonnet and implies that the person who is reading the sonnet (the dead soldier in this case) are both of these things. Therefore i felt it fitting to have his metaphorical existence in colour as a subtle attempt at symbolism.





There are a few hints to the main characters link to the military, one of which being the camouflage uniform in his wardrobe, to which he looks at and shakes his head in bitterness. I hope that at this early in the piece this would inspire questions in the audience about whether the jacket is his etc. Not only is 90% of this piece in black and white i also chose for their to be no dialogue as i feel it can distract the audience from the emotions/ atmosphere of the piece. I also find that with the lack of dialogue the viewer finds themselves subconsciously concentrating more as they are reading the actors movements etc. more intently.








In the next couple of shots the main character walks to a war memorial with poppies and poppy wreaths placed there to remember those lost in war. Another hint i hope people will pick up on is that he picks one off of the grass and puts it back on the memorial, suggesting that this is the poppy for his friend who died in the line of duty. I really wanted the red of the poppy to be visible however which is why i altered the saturation to let faint colours in throughout the piece and as you will see red is a recurring theme. This is another bit of symbolism to show that not only is he sad at the loss of his friend but angry that he has been left alone and that he came back but his friend did not. 







With the shot of the car as the camera pulls out, the house, the car and almost everything in frame doesn't look level, everything seems to be...off. This was a cinematic choice that reflects how the character is feeling and how distorted is life is at the moment.





There is a scene in my piece when the character gets up and walks to the door. I originally intended it to be because he thought his friend was at the door however he realises it was just in his head and returns to drinking. However several people have said that they thought he was going to go and get in his car, so they are on the edge of their seat as they know he has had a lot to drink, but then the tension is released when he turns away from the door. I have found that i like this view but i also like how people can interpret it how they want.




Fiction Adaption - Ideas/ Plan

Fiction adaptation

Do not stand at my grave and weep
By Mary Elizabeth Frye
Do not stand at my grave and weep:
I am not there; I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow,
I am the sun on ripened grain,
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circling flight.
I am the soft starshine at night.
Do not stand at my grave and cry:
I am not there; I did not die.


I am adapting this sonnet to a scenario in which a man has been placed into the witness protection programme for a reason not given to the audience, but in doing so he must fake his own death and start a new identity. For this reason to protect his family they must think he is dead which I feel is quite fitting as I feel that when reading the sonnet it is like he would have written it for his daughter. Below is a short description of the shots and plot of the adaptation.

Scene opens with camera behind silhouette of a man sat at a desk, with two suited men infront of him on the other side of the table. He put his head in his hands in what looks like despair, then one of the men pass him a sheet of paper across the desk he pics it up and the camera show an extreme close up of the line “you are hereby placed in the witness protection act”. Camera then cuts to teary woman dressed in all black and saying good bye to young daughter then she turns and exits through front door.

Establishing shot of a house at night lightly covered in snow and noise of wind in the background, then a close up of a man looking through a window, his face illuminated by the light of the room, he looks lovingly through the window and gently presses his hand against the glass, the camera then moves around and pushes in through the window to reveal it is the young girl. She is sat on the floor looking at a photo of her, her mother and the man (her father). She looks up from the photo and turns to the window as though she knew he was watching, however he is no longer there. Screen fades to back and the lines “Don not stand at my grave and cry, I am not there, I did not die” then those lines slowly fade to leave just the words “I did not die” then they eventual fade. 



UPDATE:

Due to unforeseen circumstances the narrative had to be changed. This latest idea is that the focus of the piece is a young army veteran that has had a friend killed in action however he is struggling to cope with that fact. He turns drinking with anger and loneliness overwhelming him. So now when you read the sonnet i feel as though the young man K.I.A would   be the one writing it to his friend to let him know that he is always with him spiritually. 

Friday, 10 November 2017

Essay - Journalism




Analyse the implications of online journalism and the extent to which "we are all journalists now", making reference to examples of both traditional broadcast journalism and citizen journalism.





The news and media are an ever growing industry, and it shows no willing to cease its exponential growth. However with this all - consuming demand of everyone needing to know frothing about everywhere there is a gap that has opened between traditional broadcast reporting and user generated content (UGC). Within this gap social media and citizen journalism have sprouted. Its amazing how one of the first things that people think of when disaster strikes it to take out their phone and record it. Now America is totally different to the UK in regards to filming news; the US loves to get everything on camera gore and all, they even have news helicopters they send out to film! Contrary to their eager attitude however there are stories even US news companies can't get footage of, for example the 2003 Thunder Mountain Railroad ride disaster in Disney land Florida. On the fifth of September 2003 a part of the roller coaster fell off resulting in a cart de-railing and killing a 22-year-old man named Marcelo Torres. Now there are several news reports on this however no pictures of videos of the event, which makes sense as camera crews would not have had the time or access to get into the park grounds to be in time to get any footage etc. This could be a very different situation however iv it had happened recently, due to the rising use of citizen journalism and UGC. Think about it, whenever something note-worthy happens someone is always there with a smart phone at the ready, eager to film it. But with the rise of new and affordable technology most people have the capability to do what a camera crew would do in 2003.




This constant obsession with catching everything on camera may have stemmed from the short videos known as vines, or the hope of getting their "five seconds of fame" by uploading videos to social media or you tube. Either way news companies have started to realise that this is a valuable asset that they can use to their advantage. But at what point do we draw the line? The BBC even broadcasted a video telling you what to do in the event of a terrorist attack, because they didn't want people to be caught in the crossfire whilst filming.




With increased social media and more expedited modes of communication, the face of journalism has changed from television hosts to a purported public population. In the past, journalists were people who wrote for newspapers, magazines or prepared news for broadcasting companies. Journalism as defined by the Merriam-Webster Dictionary is either edited news presentation through the media, public press or an academic study of news presentation through media. The term could also be used to describe writing designed for publication in a newspaper or magazine; writing characterises by a direct presentation of facts or description of events without an attempt at interpretation, writing designed to appeal to current popular taste or public interest. With technology allowing us to broadcast information to a wide audience, printed newspapers, magazines and television no longer appeal to us, and we turn to other sources to abstract information.




In this day and age, particularly among millennials, we are able to find out about the news from social media sites like Facebook and Twitter or online versions of well-established newspapers. Regardless of the outlet, the rise of technology in our society has allowed for voices of regular people to be heard by millions of people within seconds. Consequently, this ability for the layperson to inform the greater public with a tweet or Facebook post has carved the way for anyone to become a journalist. Editing and news information no longer require a long tedious process, and we can appeal to a wide audience as technology has allowed information and popular culture to spread at speeds much faster than the press.




Recently, the umbrella revolution, sparked by a change in the city’s electoral system by the ruling communist party of China had occurred in Hong Kong. I remember immediately finding out about the event through Facebook when friends posted statuses and shared information on my Facebook “Newsfeed” regarding the events. Although halfway across the world, I was informed about the ongoing protests within seconds in Hong Kong, and shared photos of police armed with tear gas, and citizens blocking the roads of the fast pace finance districts and centres. Some friends were in support of the protesters, even among them, while others were not. On Facebook, I saw reactions from friends at Wellesley, my high school, and residing in other countries. As a second hand observer, I was more intimately involved in events of the protest than I would have been had I found about the revolution from a news reporter broadcast on TV or from a New York Times publication. I had seen a direct presentation of facts, and my friends were the reporters.




As the world becomes more globalised, our networks and community expand. Some may say this information we receive through peers on social media platforms are more reliable, while others argue it is less reliable.




Even though the press could be viewed as more reliable than social media platforms, biased views could take place regardless of the official title of established companies. The Fox News controversies are an example of all the errors that could occur with news companies. The online encyclopedia people use to discover and double check facts. Although we know that anyone can post on Wikipedia, many people from students, homemakers and even many in the workforce, rely on it heavily as a source of information.




Moreover, even newspaper companies such as The New York Times and The Chronicle have created online pages and accounts on social media platforms such as Facebook and Twitter for people to follow, and that is mixed into a feed of posts and publications from friends and family. As you scroll through what is called a “newsfeed,” information from a variety of different sources combined becomes the way in which you hear about news. In lieu of printing, Buzzfeed, Elite Daily, Huffington Post and other younger newspaper companies also gather most of their reader base online as an adaption to the popularisation of technology to abstract news information.




Many of these companies are now accepting articles from writers who are not professional journalists. Consequently, companies are broadening the definition of the word journalist, in that anyone with knowledge and information can publish, as long as they have access. Formal education for journalism could enhance prior knowledge and solidify a background in the subject, but it is no longer necessary to be a reporter. In relation to the question of whether technology has allowed us to all become journalists, Dalila Stanfield ’18 feels, “Journalism is more than just posting information. It’s about research, interviews and interpersonal communication. If bloggers communicate with one another that can count as journalism, but there must be some sort of research or credibility to it. That’s why blogs exist, because people want to have a voice.”




How is a post by Diane Sawyer different from a post by a college student? As a NBC journalist, Sawyer’s tweets are more motivated on gaining viewers and followers, so her account may involve more eye-catching information and events for a broad audience. The tweets of a college student, on the other hand, may be more about straightforward occurrences in her daily life and a voice for her daily struggles. Journalism professor at Salisbury University Jennifer Brannock Cox argues that when we post on social media, we become a journalist whether we intend to or not. She says these platforms are, “primary news-disseminating tools about which all reporters must be savvy.” However, Cox also asserts that information online is not as reliable because, “when anyone can post anything any time without restraint, the perpetuation of false and subjective information is inevitable.” Although journalism disregards false and subjective information, there is still much true information that people gather from social media, allowing journalism to be open to the public. Still, some believe that journalism is not a title that was broadened with the use of technology. When asked whether anyone could become a journalist with the use of social media allowing reporting to occur anywhere, Surisadai Aquit’ 18 said, “No, not everyone can be a journalist because it is a profession and you need to study to become one, it is a career and occupational title.” However, her boyfriend, Chang Wook Joo, a second year student from South Korea at Berklee College of Music, shares a similar opinion to Professor Cox. He explains, “Yes, everyone could be considered a journalist, but it’s up to the reader to believe the information or not since it may not be accurate.”




Newspapers, magazines and television were important forms of communication in the past. But with the rise of technology in our society, everything must adapt. Journalism is no longer something that must be studied in order to be pursued. Anyone can become a journalist, because anyone has the tools to broadcast news information to the public. The public is also heavily relying on social media platforms as a means of learning news information. As Cox stated, with the inevitable perpetuation of false information, the reader now has more power in deciphering between the accuracy of information. Nonetheless, biases can prevail in any situation, and it is important to now adapt to the fact since our modes of communication have changed along with the position of journalism in our society. Even with recent events, we see social media as a key mechanism to change the media’s conversation.







IN JANUARY 2011, A NEWS RELEASE from Jamaica's Constabulary Communication Network (CCN) indicated that a man who attacked the police had been shot and killed. It was not long after, however, that a citizen of the country began circulating video footage which told a different story. The footage showed the man who was said to have attacked the police seemingly writhing in pain, being beaten with a police baton and finally shot and killed while still down, subdued and unarmed.




The identity of that citizen who videotaped those images resulting in the arrest of the two policemen was never revealed, despite appeals from law enforcement officials. The action by that Jamaican citizen brought into sharp focus the fact that information and communication tools, such as mobile telephones and the Internet, are bringing about a level of access to information that is unprecedented. Blogs, forums, uploading of photographs or videos to the Internet, are now being labelled 'citizen journalism' as distinct from additional, mainstream or professional journalism.




The idea behind citizen journalism is that people without professional or formal training in journalism have an opportunity to use the tools of modern technology and the almost limitless reach of the Internet in order to create content that would otherwise not be revealed, as this kind of journalism goes far beyond the reach of professional journalism.




Citizen journalism, or participatory journalism as it is alternately labelled, is the act of a citizen or group of citizens involved in the process of collecting, reporting, analysing and disseminating news and other forms of information. The objective of this type of exercise is to provide independent, wide-ranging and relevant information that is crucial to democratic societies.




Peter Dooley suggests that "traditional journalism is the outside looking in. Citizen journalism is the inside looking out. In order to get the complete story, it helps to have both points of view." Dooley's argument suggests that there is a place for this emerging phenomenon called citizen journalism, as well as for the profession that has been practised for decades called mainstream or traditional journalism.




Citizen journalism, as we know it now, was popularised in the late 1990s as more and more people, in both the developed and developing worlds, became connected to the Internet. The term is viewed as an umbrella concept that covers blogging as well as other institutional practices - such as the opportunity provided by one of Jamaica's three free-to-air television stations, CVM Television, through its I-Watch Report segment that allows viewers to send in reports of events or activities in their location. Other definitions include any form of user-generated content or contribution to the debate that is taking place in the public sphere. These would include postings on personal websites and social networks such as Facebook, Twitter and MySpace. Radio stations in Jamaica, such as Nationwide News Network, have made these sites a regular part of their commentary as they solicit views from listeners and incorporate these in their current affairs programmes.

In conclusion, whiile many researchers are in agreement that the term citizen journalism did not exist before the age of the Internet and that this phenomenon grew in tandem with the growth of the Internet, others posit a different view. According to Dan Gilmor, "Citizen journalism has existed in the form of independent community papers and newsletters since the eighteenth century." It is only now, with the advent of the Internet, that more ordinary people have access to media and communication tools and facilities to make their opinions known and their voices heard, hence the focus is on citizen journalism.

Thursday, 26 October 2017

Top Line - News unit



"So sit back, relax, push your coursework aside and tune into News Grad'.


We came up with this toppling as its quick, simple and straight to the point. This topple has a list of key words:


"So sit back, relax, push your coursework aside and tune into News Grad'.


The highlighted words are 'trigger' words. They stand out to the others because they are points of interest for students. So 'relax' and 'coursework' are both relatable phrases, especially the word 'coursework'. With "tune in" the audience will instantly know its a visual medium. The BBC says on their website: "The top line is the first sentence someone sees and could be the difference between them reading on or going to another story." (http://www.bbc.co.uk/schoolreport/19819214).

Wednesday, 25 October 2017

Evaluation - News Unit



News Production has been a challenging unit for me, however i have found that our finalised project does make me feel proud to be a part of the process that made it. In this Unit we had to make our own News Channel (News Grad) and not only create its first episode but also create a full channel, promotional trailer and website.


Pre-Production is a challenging but exciting process. By the time of our first meeting we had already shared thoughts between ourselves and pretty much established that our Youtube channel would be aimed at a student audience. After our first meeting we all agreed to set off and research our ideas to see if they were feasible. We also had the idea of budgeting at uni so we explored that in terms of food shopping etc (which later evolved into our top five tips, which after our fine cut viewing we cut all together). Researching these two ideas we were able to gather a lot of useful information that we could apply, however we were only able to attain a large field of data and not the specified section were were hoping to focus on, so we adapted the topic slightly.

After having a practice live news story (Johns Campaign) with Ferg and Helen in studio 1,we received some feedback from the rest of the class and it became apparent that we needed to change up our camera shots a bit more. It was a good start with the walk in, but the rest was stationary and got tedious. We learned for this in our actual live shoot with the student nurses, by varying the camera angles, including wides and medium close ups.




On the day of production we came across another issue; Emma our student nurse was available to film for only 20 minutes (as that is all she was allocated for her lunch) and her friend could not go on lunch at the same time as her because the ward was short staffed. This was fair enough as her job is her biggest priority, and we respected that. However, that did put us in an awkward position as our filming time was limited. Lucky we recce'd the location and so were able to get to where we needed to go and park the car relatively quickly. Another setback that occurred on the day of filming was the fact that Gavin was unavailable for filming and Simon because of traffic was held up until literally the second we started filming. We managed to sort of merge the script from the original two nurse script into the most important questions for just the one nurse. I was on camera however i had never picked one of those cameras up before and just did what i had done with the others before. White balance, zoom, focus, zoom back out and start rolling. Unfortunately it seems that when we looked back at the footage her white uniform did look over exposed however this is something i will remember for next time.

The day before our pre-recorded pieces were due to be filmed our key presenter Tom told us he could no longer help us with our project as he had just been accepted to a London Drama school and they requested his presence. This was unfortunate however we understood that it was a big opportunity for him. Given that i had been "playin his role" as such in Georges rehearsals i said that i would fill in for Tom.

The entire production process has been a great learning curve for me, as so much hadn't gone to plan but it was really all about the recovery. We realised when watching in post production that when using the green screen, Jack was presenting and moving his arms a lot and unfortunately at times half his arms would escape the green screen board which means in post production, half his arm would go missing. This was beyond recover and meant re-filming. Though inconvenient to us it was for the better as this didn't look professional. Also, when re-filming Jack had had some experience presenting and came across even better, our lighting was mastered so its aesthetic look was significantly better than what it was previously. This matched the rest of the quality of out News Grad episode. This just goes to show the importance of team work; we didn't let the issues we had get in the way and certainly didn't give up. We worked well together to overcome our mistakes, and stayed positive throughout.






When we reached pre-production, it was now our chance to fix any issues we had when filming, and put together all our hard work filming to see it all come together. The first big issue I wanted to work on was the live production; as mentioned earlier it wasn't our strongest point but that didn't mean I couldn't at lest try and fix it.

We showed Sam Creamer our rough cut and he gave us some feedback and said that the entire piece should be the quality it is for the second half as it gets a lot better. We agreed with Sam in this as we have a fair few decent scenes included like Georges graduation photo shoot introduction scene. We made some of the changes Sam suggested and went to see Helen the following day for a fine cut viewing. As it turned out we received a lot more constructive feedback than we initially thought! We knew our piece was missing something and at times seemed tedious with its limited camera positioning, and lengthy pieces to camera. Our option was to cut this down and have quicker cuts, as Helen suggested the high energy is lost with the lengthy PTCs with one shot. After receiving this feedback we decided to cut the 'top five tips' package and just up the quality of everything else and reshuffle the order. This was a big jump to make and meant re-filming some sequences again which was a huge setback for us, but we agreed with Helens feedback and all knew inside it was the right thing to do. Yes, we need up throwing away a lot of our footage we worked hard on planning, filming and editing but Helen was right; it was our of place and needed to be a lot faster paced in order to keep up with the energy throughout the rest of the episode. We re-filmed some sequences and re-shuffled the edit and made it flow a lot better. I'm pleased with the changes we made and feel it also acts on what Sam said about the quality being on the same high-level throughout.




This News Production unit has been a great experience and something I've taken a lot from. After analysing all the ups and downs I'm pleased to say that despite our setbacks, i feel we've all learned key factors to success when constructing a project like this, and most importantly worked together as a team and not given up at the first hurdle.

Tuesday, 24 October 2017

Post feedback re-shoot



After our feedback from Helen in todays fine cut viewing, we replanned our running order and what we needed/didn't need and what we wanted to re-film in order for its sequence to make sense. Our new running order is now:



Introduction- George having a photoshoot for my graduation going into PTC (Piece To Camera) to introduce. This was originally just for the tech section but it works well as an opening in general and is really well shot.


Tech Section- Reviewing shower bluetooth speaker and LED light- Party skit


DIY Tech- Introduction to DIY tech


Building DIY tech, then demonstration


Leads onto Outro DIY into...


Me introducing Student Nursing- Live interview




After myself and the rest of the group agreeing on this running order, we decided it was time to re-film some introductions to the new order, and ways to link to make it work. Helen said in her feedback that we needed to link everything together rather than have it more in separate blocks so the audience know where they stand. So we re-wrote the dialogue for the presenting and did something we didn't previously have; me and Jack in the studio together. After doing this it automatically felt more like 'News Grad' was a close nit group, producing content for like-minded students.

Friday, 20 October 2017

Shot list and scripting - News Unit

In our group we decided that shot lists weren't necessary for us to carry out the filming we did as there were no complicated scenes or different characters with different cues. Almost all the shots were a single presenter doing a piece to camera or stationary whilst talking. Also a lot of it was green screen which means very little movement (mostly just hand gestures).

As far as scripting goes, Gavin wrote the script however when the whole group reviewed it there were a few changes made just to improve the fluidity of the speech as we the presenters found a few phrases slightly jarring to say to camera. Some lines were improvised (not intentionally) however sounded better when watched. The only problem with this is if you needed to re-shoot, synch sound from a dub over or anything that regards sticking to script or being able to repeat what was said.


Friday, 13 October 2017

Location Recce- Live broadcast



Today George and I visited the area outside the Medway Maritime Hospital in order to assess any risks or hazards that would present themselves at the time of filming. A problem we came across upon observation was the noise of the traffic. We didn’t have the equipment on us at the time to see how we could change this through the camera/ sound equipment but will try and put some measures in place for the final shoot. This could include using clip mics which although wouldn’t cancel the background noise out completely, could help reduce it significantly. Another problem that we noticed when we arrived was the parking, there was a large queue to the hospital car park and the parking in the hospital grounds was quite expensive. Not only this but we deemed it to be morally questionable to take up a parking space that someone who genuinely needed medical attention may have needed.  Considering this we drove around to see if we could find any closer parking near the filming location. To our surprise there was some right next to it, however it was permit holders only. There was a place we could park further down which was a 10 minute walk away from where we were filming so we will just have to count for that time on the shoot day (Monday 16th October). It was only £1.00 parking which is worth saving the money for the walk, we can now accommodate it time wise, especially if we only have 20 minutes to do the interview.

Another problem we noted was the general public. Local residents and staff from the hospital seemed to have adopted the area in front of the Medway Hospital sign that will be our back-drop. We would therefore have to make it clear we are filming with a sheet of proof, risk assessment and high visibility jackets. The high visibility jackets are also important to have when filming next to a road of traffic so our presence is prominent.



I believe it was very beneficial for George and I to go and recce the location as it meant we could plan well in advance so we aren’t late and don’t waste any time on the actual day of shooting. We came across some issues we may have with the location on the day but those are dependable variables that can be prevented by planning parking, information and equipment. All being well the live broadcast shoot should be successful.


NOTE: POST SHOOT
Unfortunately we did not factor in the traffic on the journey to the hospital. Though we were not late, it left us with very little if not any time to set up for the interview and by the time we had walked to the shoot location from the car, the student nurse was already there. Due to this fact and the fact that she only had 20 minutes of lunch we did not have time to set up the clip mics and adjust the sound levels accordingly. Therefore we had to rely solely on the boom mic, which proved a struggle when busses would pull up alongside us with their loud deep sounding engines. 

Wednesday, 11 October 2017

Location - news unit

Our location for the live news section was the Medway Maritime Hospital. At first Gavin had tried to contact them but to no avail, so i decided that as the date for filming was getting closer that i would try. I googled "Medway hospital Press Office" and their website came up, once i clicked on that there were lots of sections for different things but right at the bottom there was a section called media, so i clicked on that. Once on there it gave you a number to called as well as an informational paragraph.
I phoned the number and a gentleman answered so i asked who i needed to speak to regarding filming on the hospital grounds, to which he replied that it was himself and asked what it was i needed. He introduced himself as Micheal Adley and i told him that we were planning an interview with a student nurse and having the hospital sign at the entrance would be a great backdrop.


He was very helpful and explained that if we were to film on the grounds then we would need a chaperone at all times, which unfortunately they could not provide on the day we were filming. However he did recommend a spot on the boundary of the grounds that is for public use in which the BBC do most of their filming for hospital coverage as there is a big sign there also. With this information i thanked him and ended the call. He had told me that it was on the corner of windmill road so i looked on google maps and we decided to go and do a recce before filming.

Thursday, 5 October 2017

25 Word Pitch

"Student life isn't cheap but here at News Grad we can show you how to save money and live the lifestyle you crave, with insightful news."

With this short but sweet 25 word pitch we start with a punchy problem " Student life isn't cheap" to attract attention of any reader or listeners, but then lead with the solution to that problem. "we can show you how to save money", great right? everyone wants to have a spare bit of change in their pocket. But there's more! you can "live the lifestyle you crave"! So hopefully by this time you're hooked, and to top it off we let you know that there will also be "insightful news".

Wednesday, 4 October 2017

visual references - News unit

Our story for our live news section is the effects of the bursary cuts that have recently happened to student nurses. This happened in early 2017 and we already have a BBC report that we can use as secondary data. As well as this we though because in effect the wound is still fresh as it were, that people would would want to come forth and speak about it. Not only this but because it happened relatively recently it can still be treated as "current affairs" as such.



Now that our story had been confirmed we just needed to construct a website and youtube channel around this story that would fit with the theme and topic of the live section. Originally there were a few ideas thrown around for example a news outlet that concentrates specifically on medical staff etc for example the strike by the junior doctors not too long ago. However we found that that would be too specific and would be hard to find constant current news for. Also the target audience would be job specific which in the real world would jeopardise viewing numbers by excluding anyone who isn't involved in a medical field of work.


That is when we thought of the idea of a student channel which would have several sections in it, but student news being one of them (where the student nurse bursary cut comes in). The next challenge was to decide what to put in the youtube episode that would meet all the criteria. George came up

with the idea of a cheap tech review along the lines of what lots of popular youtubers do however instead of the latest iphones it would be tech and gadgets that students on a budget can afford. There was some debate between which would be better to review, wireless headphones or a bluetooth speaker that you could stick to any surface for the shower. The decision fell on the speaker as we all decided that we could do a lot more with comedic effect and the "cool factor" with the speaker than we could with the headphones. Initial ideas were george in the shower with a shower cap, a rubber duck and graphics being written in the condensation on the shower door.  Next was the other tech section which would be a weekly DIY section. This week it was a home made projector for your smartphone.


George did some research online for fun do it yourself projects that we knew students would like and most likely use, and a projector from a shoe box seemed both quirky and useful. So we made note of the steps needed to make it and decided that it was simple enough to be able to do ourselves as well
as film. We attempted to make one first however that didn't quite work as well as we had hoped, so further on down the line we tried again but this time with a narrower, more compact shoebox, and it worked!


Tuesday, 3 October 2017

Project Research - News unit

The following links are some of the key sources/ reports that we looked into when considering this story. It seemed like the cuts were relitivley well covered by mainstream media which meant that we would have a fair amount of material to use in our story. The linked material below also houses some useful statistics such as "the NHS is already struggling to fill 40,000 vacant nursing posts." Not only this but we could use statements as secondary data such as when Anne Corin, the Head of Education at The Royal College of Nursing told the BBC “With 24,000 vacancies in the NHS, it has never been more crucial to attract people into the nursing profession. However, the removal of bursaries is already acting as a significant deterrent, and applications are down by 20 percent.



(The Telegraph) Steep decline in number of student nurses following bursary cuts
 -http://www.telegraph.co.uk/education/2017/07/13/steep-decline-number-student-nurses-following-bursary-cuts/



(The Guardian) Nursing degree applications slump after NHS bursaries abolished -https://www.theguardian.com/education/2017/feb/02/nursing-degree-applications-slump-after-nhs-bursaries-abolished



(The Guardian) 'My bursary was essential': readers on ending healthcare training bursaries -https://www.theguardian.com/society/2017/aug/01/my-bursary-was-essential-readers-on-ending-healthcare-training-bursaries


Thursday, 21 September 2017

News unit prep

Sources and Contacts:


  • A Broadcast Journalist relies on a wide range of sources and contacts in the never ending search NEW news 
  • The best journalists do not just sit around and wait for an idea to appear, they go out and FIND it...
  • You now have experience from the documentary unit of some of these - suggestions on how to find new stories?

How journalists find stories with "news value":



  • Working what Fishman (1997) called 'patrolling' much like a police officer on recognised chains of information to supply potential stories with 'news value'. 
  • What 'beats' form part of this chain of information?
  • Many of these 'beats' are exclusively accessed by news journalists e.g. calling police stations or press offices.
  • But in doing so, what other stories are ignored? Is it right to give priority to those particular sources? Why?

Primary Sources:



  • Your own direct contacts
  • original sources direct from source material e.g. archive material from libraries etc such as kew (National archives)
  • Public appeals 
  • Press releases/ Official Stats 

Secondary Sources:



  • Stringers (freelancers)
  • Other platforms/ Media 


Wires:



  • Newsrooms frequently trawl 'the wires' for up to the minute tip offs on news stories such as - 
  • PA (Press Association) - provide a range of news stories and content for print and digital media for the UK and Ireland 


Correspondents:



  • These subject specialists work in newsrooms and are prized for their in depth knowledge and well honed contacts - often invited to confidential 'lobby' briefings with politicians and on the mailing lists of important relevant bodies 
  • 'Lobby' politics - influential groups lobby the government in such meetings to get their views across and attempt to influence policy. 


Foreign News Sources:



  • Journalists, editors and correspondents based permanently abroad for news networks e.g. Gavin Hewitt Europe Editor or Mark Mardell North American Editor
  • Sometimes pooled foreign news 'bureau' with other broadcasters.
  • Again valued for their local contacts and on the ground knowledge and access 
  • Often long hours, lots of travelling due to wide area covered and can be in dangerous or politically unstable areas - special training usually needed and obviously goof language skills 

Communication:



  • Whichever your source of information and stories, you will need to be a consummate COMMUNICATOR in order to access these.
  • As with the documentary unit, know the essentials BEFORE you make a call - do your research and know what questions you want to ask.
  • Get used to USING THE TELEPHONE.
  • Emails are good for exchanging information and more functional tasks, but nothing can replace a CONVERSATION thus - 
  • Build a rapport, gauge the person you are talking to and make a decision about them and the story 


Get Them On Side:



  • Sometimes you have to be prepared to be creative in order to get what you need.
  • Providing you are being ethical, find ways of negotiating obstacles to gain the access you need.
  • Often you need to have stamina and be prepared to push at a story and find a way of telling your story in order to make it work
  • When people are reluctant to take part, sometimes with good reason, it is useful to explain this is their chance to put their side of the story.

Methods:

  • The art of tracking people down is one you need to master - do your research to identify key contacts and build from there -
  • Just like a private investigator you will spend a lot of time simply trying to find people 
  • Sometimes you have to think beyond the obvious in order to get what you need.
  • Finding people who will talk might mean looking for someone outside the direct area of your story, look instead for those with a credible association with it.

Finding your Angle:

  • The News 'Angle' is key to developing your story.
  • The angle can be defined as the main significance of your particular audience. It is a particular viewpoint of any story.
  • There will inevitably be several angles on any story, your job is to decide the angle which best suits and sells your story and will engage your audience. 


Setting up your story:

Just like in the documentary unit, the proof of your journalistic skills is when you try to set you up to shoot it.
By the time you set it up you should be clear about :
  • What your story is (and is not)
  • Who is in your story
  • Where it is (locations)
  • When is it to be shot (Schedule)
  • How you will tell it (treatment/ style/ angle)
    • Why are you making the story


    Decisions:

    Journalistic instinct plays a big part in determining the tone of the story:
    • Location
    • Timelines
    •  Impact
    • Prominence/ 'Impotance'
    • Conflict
    • Simplicity
    • Broadcaster's 'values'

    Wednesday, 20 September 2017

    News unit - my part of the report/ story - Staying vs Going

    My role in the group for this unit is to pursue a story that we may possibly use for our live broadcast or You Tube channel. We decided to target students as an audience so we can focus on problems that not only we but others we know can relate to. Not only this but "Students" as an audience are a guaranteed demographic due to the nature of education (one year moves on as a new one arrives - continuous flow of people for an audience). The subject i will  be focusing on is Students deciding to stay at home while they study or move into accommodation, which for many is a big step in their life and in some people's opinions the first step to adulthood.

    Doing your own washing

       The average rent for a room in purpose-built accommodation has gone up by 25%o over the past three years to just under 1£23.96 a week, according to the latest figures from the National Union of Students (NUS). That is £5,244 a year, 95% of the maximum available student maintenance loan. So of course students will need to take up a part time job along-side studying to supplement their living cost etc. However, with the number of university attendees swelling each year bar jobs and waiting staff vacancies are becoming few and far between.

     Rents tend to vary depending on where in the country a student is studying. As you would expect, London is the area with the most expensive rents overall, averaging £157.48 a week. This is largely attributable to the increasing number of privately run student flats in the capital, some of which can cost £300 a week. The East of England has the second highest rents for purpose built accommodation overall at £134.18 a week and Northern Ireland the cheapest at £83.01.    















    Ensuite self-catered rooms, the most common type of accommodation accounting for 55% of the purpose-built market, cost an average of £121.71 per week for a single room, compared with an average of £97.48 for a single room with shared bathroom facilities. Unfortunately not all universities supply this type of "affordable" accommodation which leads to my next section, why people stay at home when studying at university.








    Mum still doing your washing


    Now with all the points above about money its not hard to be dissuaded from considering the option of upping sticks and relocating closer to uni. For some it is a freedom thing, they rejoice in knowing they are free to do whatever they want with no parental shackles binding them. But for some it is a necessity, for some students pursuing their dream job and furthering their education not only cost them thousands a year on tuition fees, but also thousands in accommodation. So if you're reading this and live within commutable distance ask yourself whether living closer to uni is a need or a want. I'm not saying moving to accommodation just because you want to is a bad thing or isn't a good enough reason, simply that you should really think through you're options before jumping at the first opportunity to get a taste of what it feels like to live on your own. For example if your train fair was less expensive than accommodation and you also don't have to buy your own food and wash your own clothes, then you might consider staying at home. However staying at home isn't everyone's cup of tea and with student finance always available all you need to be set up for a year is to fill out some criteria checks online. Yet i think here is where the problem lies. It is so easy to sign yourself up for debt as a student now that you don't think twice about it, quite often it's advertised between students as "free money". If only that were true.












    There are downsides to living at home too though. Annual rail tickets that cover the whole rail network cost roughly £6000! Now there are ways around things like this and being a student you are often given some kind of price reduction HOWEVER remember that this is at home so this will be without the maintenance loan, meaning if you live at home, you will definitely need to work more.


    With these decisions more often than not it's just a case of weighing up the pros and cons and choosing the option with the less cons. So my advice for you as students would be to not rush into things, especially not on impulse. Let your decision brew for a little while and then when you're sure (and have spoken to your family about it as well) by all means take the path you choose.

    Tuesday, 19 September 2017

    News Unit brief

    Skills to take forward:


    • Sourcing stories and story telling (narrative)
    • Sourcing contributors
    • Sourcing locations 
    • Scripting/writing to pictures "tie writing"
    • interviewing
    • sequencing
    • SWEFF
    • Good Coverage (GV's)
    • Good Sound
    • Factual Accuracy/ fair dealing/ impartiality and balance
    • Team Work and Comunication
    • Time Management and organisation 
    • Interpreting information and finding news angles

    New Skills:

    Reporting - On screen/ directing talent
    Fast Run - around 6 weeks to submission including this week) get story and access quickly!
    Online Platform Development/ Branding/ Concept
    Studio presentation/ News/ News Anchoring
    Sourcing Talent - e.g. repoters, presenters


    Unit aims:
    A1 promote critical understanding of the news and current affairs output
    A2 facilitate the development of a creative methodology for the production of news and current affairs 
    A3 further develop technical and collaborative skills for production and post production of news and current affairs content
    A4 develop group presentation and pitching skills 

    Video Project Brief:


    You are challenged to develop your own ORIGINAL online news channel and produce content for that channel 

    Find a brand which will fit a particular audience and provide content for that audience - niche rather than mixed

    You will be working in groups of 3 - 4 and will have individual responsibilities

     

    Wednesday, 10 May 2017

    Documentary Unit - Reflective Analyisis

    Pre - Preduction

    I felt like the pre - production was probably the least challenging part of this unit's project. We all grouped together and would all give our input and ideas and the project sort of materialised from that. Callum was the main person who made decisions on whether things should be included as the homophobia in football was his idea, however even that changed along the way as his idea started by the documentary being focused solely on why there are no openly gay premiere league players in todays society. But as time went on that idea was merged with others and evolved to what it is now, which covers a broader subject but still has references to the premiere league idea. Unfortunately we had a communication breakdown  with a member of our group and we had to adapt our roles to accommodate for that persons absence however we all pulled through and the transcripting, script writing and shooting script were completed. 


    Production

                                                                      






    Different parts of the production were filmed by different people at different times. Callum and myself went up to London to film Ed Connell and teh East End Pheonix's training session with Carl. I also filmed Carl's interview on my own which was fun as there were lots of "interesting" ways i solved problems posed by going solo without any lighting. First of all there was a problem with the sound, i thought the sound quality wasn't great but then i realised that the camera was using the interior mic and not the boom, so i tried plugging it into another channel to see if it was just channel 1 that wasn't working. Nope that wasn't the problem. I then checked to see if the cables didn't have a problem and the boom was connected, yep all good. By this time i was really stumped, i looked under by where the cable connects to the camera and see that the little switch is on 48v which means the camera powers the mic, so now i'm having a meltdown because i have the "talent" sitting and waiting and time is going faster than Lewis Hamilton. I message the rest of the group with a desperate plea for help and Callum asks if i have switched it to 48v to which i reply yes but i check just in case, and there it was. The blatant glaring problem.  I had changed the switch to 48v, but on channel 1, and i hadn't put the cable back into channel 1 since i moved it to see if it was just channel 1 not working. so after taking the cable out of channel 2 and and back into channel 1 HEYPRESTO!! the sound was coming through nice and clear, now to the next challenge. How to hold the boom pole just at the right angle whilst operating the camera. What i did to solve this was perch the boom pole on the back of a chair and hold the bottom if it down with my leg, whilst operating camera with one hand and reading questions off a sheet with my other hand. The last challenge was lighting.
     As we hadn't managed to book any lighting out i had to use things from around the house. we cellotaped a small lamp on it's side to the fireplace, then a similar situation to the side of his face and then the fill lighting behind him was a wall light. Another problem was a shot I needed to get for coverage of Carl, the classic "Tea making shot", however the angle that would allow you to see both Carl's hands and face couldn't be achieved by tripod or me holding the camera as there wouldn't be enough room. So i took the tripod plate off and asked if Carl had anything i could stand the camera on that could sit on the side of the kitchen, we found a stool and a washing basket but it was't quite right, so i put the plate back on and the top of the camera ran flush the the cupboard and everything was in frame. Mission accomplished!


    Post Production

    I was also involved in post production as a co-editor alongside Melisa. She and i both worked together closely on the editing often swapping roles and trying to help each other find/ do things that the other could not. The first thing we noticed we needed to change was the colour. We needed to use colour correction as i had only been able to use very yellow light and therefore anything white had a slightly yellow tinge to it. Once that had been sorted we then sourced the other clips and over the next 3 days ran through a plethora of different structures on the timeline. After our meeting with Zoe however we came to a decision that we should point the documentary more towards the Team East End Phoenix and then revolve mostly everything around that. So we started with Carl's interview then followed him to the training session and moved onto Ed Conell's interview but whilst including the football team in both first and second half. Graphics were a big section of the project too, one of the hardest parts was synching each word (title) up with each word said when a horde of fans are changing at an exhibition in Brighton Street. One of the final steps as well as adding all the narration was a sound track. Originally we chose a piece called strings 1 but that seemed too cheery for the subject matter so i then looked into a soundtrack that used a mix of piano and artificial sound however that seemed too depressing, as though someone had died. Finally i found a piece that was a guitar playing a a continuous piece in a single chord with seemed to flow just right for the tone. Using the Pen tool i fluctuated the sound up and down depending on what was on the screen and who was talking at that time. 

    Tuesday, 9 May 2017

    Documentary Director - Documentary unit

    Director

    Barbera Kopple













    Barbara kopple is an American through and through, born in Scarsdale New York, in 1946 she is no stranger to changing times. No doubt she has been recording landmark events on camera throughout her life however her first recognized piece of work was Harlan County, USA which was a documentary on the coal minors strike in Kentucky. Since then she has come out with works such as American Dream, Winter Soldier (my favourite) Fallen Champ: The Untold Story Of Mike Tyson, and Running From Crazy. Watching these stories you get a real sense of the style of filming Kopple likes to use when filming documentaries. It's a sort of fly on the wall cross guerrilla filming with all her crash zooms and holding shots on close ups and extreme close ups (as demonstrated in Winter Soldier) as well as using more mainstream documentary traits such as the filming locations with people on screen who are relevant to the topic. For example in the Mike Tyson documentary the journey isn't shadowing someone with a camera much like a lot of modern ones,it's sort of a following a trail of someone's past that they have left behind. One of the biggest reasons I like this director and chose her for my inspiration is that her signature style of filming is varied, she uses a large arsenal of techniques and filming methods that lead to very interesting documentaries and this is what I hope to do in mine.



    Documentary 

    Sweet Sixteen: A Transgender Story
















    The documentary I have chosen to draw comparisons with is the BBC Documentary Sweet Sixteen: A Transgender Story. Something I have drawn from this documentary was a few minutes in when the farther of the transgender son is being interviewed about a sad/ sensitive moment; when he was first told his son wants to become transgender. The farther is recounting something in the past and it is a close up shot to allow the audience to see in great detail the emotions he is experiencing. We will do something similar when our gay teenager Carl tells us about why he went off football including not involving any cut aways at this point as not to break the emotional tension. 

    Another similarity between the two documentaries is the use of a sort of "master shot". In the transgender doc the camera keeps returning to her collection of makeup on the side in her bedroom. Which is relevant and keeps reinforcing what the documentary is about, which will also be used in our doc. We will keep cutting to the East End Phoenix team playing football which will remind the viewer that football is the topic of the doc.  

    Throughout the documentary about this young person changing their gender, they use the method of spanning the documentary over a period of time. Granted this is over a period of months and ours was a period of days/ weeks, however the principle is the same. By shooting it at different times and making it chronological it creates the sense that the viewer has been on the journey with the presenter/ topic of the doc for a long time therefore forging a stronger emotional bond. 

    Finally and most obviously this is not just a documentary about the journey of an individual, but the challenging of stereotypes within society. One documentary is about gender, and one is about sexuality, both incredibly closely bound subjects that have equally abusive stereotypes and treatment however our documentary touches on that slightly more than the transgender doc, however with that doc the main device that transports you along the narrative is the teenagers journey unlike ours which focuses more on the team East End Phoenix and the general topic of homophobia. 

    Tuesday, 4 April 2017

    Documentary Unit - structure

    The documentary structure will follow the journey of a gay teenager who currently plays football. It will start with an introduction of him, with cut aways of him playing football etc. Once he's been introduced we will follow him like a presenter on the train and his travels with the camera hand held and he will interview our people that are being interviewed e.g campaigners etc. Once the interviews are over we will have our teenager pose a question to the audience after having spoken to the London team East End Phoenix and got their view on why there are no openly gay premiere league players.



    The gay teen will have a mic or clip mic and will be presenting locations like a news reporter.





    East End Phoenix is the name of the team Callum's Partner plays for and have already agreed to let us film them

    Sunday, 2 April 2017

    Documentary Unit- update

    After pooling ideas for the documentary's story/ structure we have decided to use a gay teenager as our main focus of the documentary and follow his journey trying to discover the answer as to why there are no openly gay premiere league football players. We will use him/ her as the presenter for the documentary being the face of young gay footballers venturing into the ugly side of football.

    Mood board:



    Thursday, 30 March 2017

    Documentary unit - pre- production prep

    We have now decided on roles and will be filming about tackling homophobia in football focusing on why there are no premiership players that are openly gay.

    Roles:

    Jack












    Camera Op, Co- editor, Narrator




    Melisa

    Editor, transcripter, script writer




    Callum 
    Director, Camera Op