- Dialog is not the biggest part of film making, if it doesn't advance the story leave it out.
- Don't be too formal
- Don't keep including name
- Don't have every character behaving same way
- Don't get too artistic with dialog
- Don't be too grammatical, make it seem like human beings are talking
- Don't make it exactly true to life, real life dialog is boring
- Don't do long speeches
- Beware of accents, just
- Don't have too much information in one sentence
- Don't make your characters a mouthpiece for what you think your script is about
- Use dialog that grasps attention but also serves for the story
- The denial "I'm not in love" you know they are
- Think about the most extreme words your character might say, then that will tell you what words they will normally use
- Best use of bad language, full metal jacket - "monsters" talk
- Bad language is always from anger and hate
- Characters need flaws
- Characters are better looking up than down e.g. not billionaire. Little looking at big, poor looking at rich
- Hubris - the characters fate. can have conscious or unconscious choices
- The existential hero is given so many options and choices that he doesn't know what he is
- When looking at characters, what drives them, and what bugs them?
Monday, 3 October 2016
Steve coombes script writing workshop
Labels:
Story telling
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