Monday, 3 October 2016

Steve coombes script writing workshop

  • Dialog is not the biggest part of film making, if it doesn't advance the story leave it out.
  • Don't be too formal
  • Don't keep including name
  • Don't have every character behaving same way
  • Don't get too artistic with dialog
  • Don't be too grammatical, make it seem like human beings are talking
  • Don't make it exactly true to life, real life dialog is boring
  • Don't do long speeches
  • Beware of accents, just
  • Don't have too much information in one sentence
  • Don't make your characters a mouthpiece for what you think your script is about
  • Use dialog that grasps attention but also serves for the story
  • The denial "I'm not in love" you know they are
  • Think about the most extreme words your character might say, then that will tell you what words they will normally use
  • Best use of bad language, full metal jacket - "monsters" talk
  • Bad language is always from anger and hate
  • Characters need flaws
  • Characters are better looking up than down e.g. not billionaire. Little looking at big, poor looking at rich
  • Hubris - the characters fate. can have conscious or unconscious choices
  • The existential hero is given so many options and choices that he doesn't know what he is
  • When looking at characters, what drives them, and what bugs them?

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